In a future, post-apocalyptic Los Angeles brought about by nuclear decimation, citizens must live in underground bunkers to protect themselves from radiation, mutants and bandits.

As an art department assistant, Diana managed construction drawing distribution between all departments and file organization. She also 3D printed custom set pieces, which would then be given to scenics for mass reproduction throughout the set. Diana tracked the CNC pieces in the vaults, as well as each iteration of vault graphics and signage. She also assisted production designer Howard Cummings with scheduling meetings between the producers and the virtual production team for the volume set. She helped the graphics team with trimming and graphic distribution, as well as light research. For the Vault 32 door, Diana LiDAR scanned the set to create a 3D model, which was then used by the concept artists in their work.